Odd Index
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For the theatre lover: London, Broadway, Paris and Bangkok

The stage in four cities: Shakespeare’s acting companies, Drury Lane, Broadway in 1936, Lifar’s ballet and Thailand’s classical dance dramas.

Serge Lifar, rénovateur du ballet français, Jean Laurent et Julie Sazonova

John Tucker Murray’s 1910 history follows the acting companies of Shakespeare’s England, and John Doran’s essays fill London’s theatres with the people who worked and watched in them. Stuart Chevalier kept Broadway and New York life in occasional notes in 1936. In Paris, a 1960 study of Serge Lifar’s remaking of French ballet carries a Picasso drawing of Icarus on its cover. In Bangkok, Dhanit Yupho described the classical Khōn and Lakon dance dramas in 1963, and his 1952 manual shows how a Siamese dancer’s training begins.

English Dramatic Companies, 1558–1642, John Tucker Murray
No. 0099 · 1910
The acting companies of Shakespeare’s England

John Tucker Murray’s 1910 history, in two volumes.

In and About Drury Lane, John Doran, LL.D.
No. 0126 · c. 1900–1913 (undated Francis A. Niccolls Édition de Luxe; inferred from related editions)
London’s theatres and the people in them

John Doran’s essays, in a two-volume Boston illustrated edition.

A Window on Broadway, Stuart Chevalier
No. 0189 · 1936
Broadway and New York, noted as they happened

Stuart Chevalier’s 1936 collection of occasional reflections.

Serge Lifar, rénovateur du ballet français, Jean Laurent et Julie Sazonova
No. 0109 · 1960
The dancer who remade French ballet, with Picasso’s Icarus on the cover

A 1960 French study of Serge Lifar.

The Khōn and Lakon: Dance Dramas Presented by the Department of Fine Arts, Dhanit Yupho
No. 0184 · 1963
Thailand’s classical dance dramas, explained

Dhanit Yupho’s illustrated 1963 study, from Bangkok.

The Preliminary Course of Training in Siamese Theatrical Art, Dhanit Yupho
No. 0108 · 1952
How a Siamese dancer’s training begins

Dhanit Yupho’s 1952 manual, with photographs and musical notation.

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Odd Index · written from the catalogue records
  • Every statement about a copy (stamps, inscriptions, condition, edition) comes from that copy’s own catalogue record and photographs; nothing is carried over from another copy.
  • Interpretations are labelled as interpretations. Background that the records do not contain has not been added.
  • Several readings here are tentative or carried over from earlier records (Carmichael, Howland, Havens, the Stately Game’s addressee); each is hedged in the text and flagged on the object page.

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